The London Tapes / Blue Sky Prevailing Sound installation, 2011 / ongoing Version 1.2 for 26 voices / 4 channels, 18 minutes loop. Excerpt from Blue Sky Prevailing. A 4-channel sound installation in which 26 characters repetitively read the poem Written in March by William Wordsworth, each time following a different metric. This is one of the takes by tenor Nathan Granner (with me as the noise-maker in the background.)
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The London Tapes / Blue Sky Prevailing
Sound installation, 2011 / ongoing

Version 1.2 for 26 voices / 4 channels, 18 minutes loop.
Excerpt from Blue Sky Prevailing. A 4-channel sound installation in which 26 characters repetitively read the poem Written in March by William Wordsworth, each time following a different metric. This is one of the takes by tenor Nathan Granner (with me as the noise-maker in the background.)

Improvisation for prepared cello, 2010.
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Improvisation for prepared cello, 2010.

Macbeth Morse (To the last syllable of recorded time) Excerpts from Shakespeare’s Macbeth translated into Morse code. Sound installation + broadcast to SW radio, 2005/ongoing. more info here: http://soundcloud.com/flamini/macbeth-morse
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Macbeth Morse (To the last syllable of recorded time)

Excerpts from Shakespeare’s Macbeth translated into Morse code.

Sound installation + broadcast to SW radio, 2005/ongoing.
more info here: http://soundcloud.com/flamini/macbeth-morse

Damascus 6 cellos, rope, rocks, AV system. Sound installation. 2010-11
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Damascus

6 cellos, rope, rocks, AV system. Sound installation. 2010-11

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  • 850 Plays
  • Doubt
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Doubt. Sound installation, 2010

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  • 890 Plays
  • Room 405 (pace 1, 5 measures)
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Room 405 (pace 1, 5 measures).
Improvisation for prepared cello. Performance / Sound Installation, 2010

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  • 810 Plays
  • The Edge of Things
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The Edge of Things. Sound installation, 2008

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  • 830 Plays
  • Room 100 NYPL

Room 100 NYPL. Sound installation, 2010

Room 100 is a 21 minutes, unedited, recording of Room 100 at the New York Public Library (Main Building). The NYPL Microforms Section, Room 100, provides access to over 350,000 microfilm reels and 3,000,000 microfiche resources in the humanities and social sciences.